We met this morning to see Archeological Crypt, which was discovered when the area in front of Notre Dame was cleared in the 1960s. It dates back to before Paris was really a city, when there was just a settlement on the Isle de Cite (island of the city). In fact, the river was actually in a different place because the ramps to the port were in the middle of the land. The area was lowly lit and was great for taking photographs. Unfortunately, all of the text was in French so we just sort of figured out what was being said. It was not a very large space, so we were out of it in less than an hour.
We walked across the plaza to get into the Notre Dame. Unlike the rest of the churches we have visited, it was free to enter. Of course, this meant that it was very crowded and had beggars and pickpockets inside the church, so I had to be especially wary.
It is sparsely decorated inside, with simple compound capitals that rise to plain stone vaults. The most beautifully decorated areas were the windows, which were all stained glass depicting scenes that I presume are from the bible, and the large rose windows at the front, and on the sides of the transept. The apse was closed, but we were able to walk around the front in the aisle space, which was cool to be able to see the complex ribs of the vaults connecting the apse to the chapels.
I took my time to take some pictures, but it was hard to get it all in because of the size, and I didn’t feel like it was really worth taking pictures of the floor since it was filled with stupid looking tourists. I also noticed a few oddities with the building, such as that the columns are not all the same, nor are they perfectly aligned; the whole building is racked about 1 meter in one direction.
The outside was just as great as the inside, with all of the flying buttresses and intricate masonry such as the gargoyles and other motifs and carved figures. The park behind the church was very photogenic and filled with local Parisians and not tourists, which was a nice contrast to the front of the church. Rounding the last side of the building I noticed the scaffolding and other restoration work, so really only 3 quarters of the outside were photograph-worthy. I stopped for a nice big (and cheap, considering I was in the shadow of Notre Dame) crepe.
After meeting back with the group we went down the street though some government building to get to Saint Chapelle. We had to go through security, which was irritating because there were a bunch of assholes that pushed their way into our group, so we were assholes back and blocked them in, but the guards let them past. Evidently they weren’t tourists, because we didn’t see them in the chapel. The Chapelle church was built in the 13th century but it is a masterpiece of engineering for its time, because it has the highest glass-to-masonry ratio of any church of its kind. The entire building is covered in large stained glass murals, and is yet built of stone. It has some buttressing, but not much. What I believe the trick was is that it has a very light vault, probably of brick rather than stone and a wood roof which lightens the downward load. Anyway, it was very bright inside even though it was partly cloudy outside. It was not filled with too many tourists which made it nice for taking pictures and lingering for a while.
We departed company then, various people went shopping and such but I went up to the Montmartre area. The Montmartre is a hill with two churches on top, one being a beautiful, new, multi-domed Sacre Coeur (Sacred Heart). The hill is accessed by way of a funiculare, a tram that is built into the hill at an angle, or a very steep stair. I had looked it up the pervious day (in class actually) and deduced that the stairway was the same one that was in a photograph at The City Market that I looked at every time I was there. It showed a very steep stair with trees in the sides and lamp posts lit up at night (in the winter too as I recalled). There was no question that it was the right stairway, it was just a matter of finding the right place that carefully frames out the funiculare with the very modern stations. After thoroughly photographing the stair I went into the church, which was in the middle of a service but I still walked around. There were large no photography signs on the door, so I only took a few discreet pictures. I walked around the building which has a very complex and beautiful exterior and then into the town part. This was a section of Paris that has not been changed by the modifications by Haussmann and others in the 1700s and 1800s to ‘beautify’ Paris because it was built on the steep hill. The new avenues simply were routed around it and it was left as it is. The area is well saturated with tourists, so all of the businesses cater to them. There was another church, however, which was completely deserted. It was very plain and small, but it did have some great stained glass windows, and the sun was at a great angle so it cast the light into the church for some pictures. The building, however, had some serious problems. The vaults must have been pressing down and outward, because all of the columns curve outward and the whole building is twisted strangely out of plumb. Also, it is clear that part of the vaults failed because it was repaired slightly differently than it was constructed.
After dinner Doug and Christine and I met Kyle and Alyssa at the Pompidou center. We started in the book store, which had an extensive selection of architecture books, but no good prints unfortunately. It also had a €1500 book, for some reason a 500 page large format color book cost that much, not sure why. It was just a bunch of pictures of famous people in seductive poses, a lot of disgusting Courtney Love, so suffice to say I was not enticed to buy it at all. What I did like was the complete construction documents of the Eiffel tower and its construction history, but it was €100 so I didn’t get it.
Downstairs was the temporary exhibition space which was a multimedia conglomerate of various things like photography and animations, as well as a video game of one of Alvar Alto’s buildings based on the Doom shell, but no weapons were used.
The Pompidou center was cool, but in rather bad shape because it was very dirty and had some off-color inhabitants, including several bums sleeping around the air handling units which really took away from its charm.